Hello, everyone! Welcome to the hub for my Deep Dive project Establishing Screamo Canon: From Chaos to Catharsis! 2025 was the Year of Screamo and, while I didn’t quite get to my goal of covering Screamo from the 90s through 2015, getting through the 90s wound up being a Herculean feat in and of itself. I’m quite proud of this accomplishment! The series will continue indefinitely as I have time for it, but getting it up onto the website was very important. Please refer to the Overview post for more information about the series and the various sub-series within.

Below you can sort by subseries or via a tag cloud, weighing the most commonly-used tags such as artists, release years, record labels, locations, genres and even descriptors! Please keep an eye on this as the series continues!

Screamo Hall of Fame Nominee Emo Emporium Screamo Hall of Fame Nominee Emo Emporium

Reversal of Man - Revolution Summer | Screamo Hall of Fame Class of 1998 Nominee

Release Information:

1998
Schematics Records
Tampa, FL (Southwest)
Runtime: 17:12
Tracks: 7

Band Members:

Matt Coplon (Vocals)
Jasen Weitekamp (Guitar)
Jason Crittenden (Guitar)
Jeff Howe (Bass, Vocals)
John Willey (Drums)

Genres, Influences and Characteristics:

Screamo, Emoviolence, Hardcore Punk, Manic, Dissonant, Noisy, Intense

Musical Analysis:

This album is a musical gut punch that rarely relents and always keeps you guessing with sudden tempo changes and dynamic volume switches. The dissonant guitar tones perfectly encapsulate the feelings of desperation and unease while the drummer hammers home the immediacy. The bass is refreshingly well-mixed and adds a powerful undercurrent to the songs. The vocals are brimming with passion and reach unhinged levels of depravity during the most chaotic and cathartic moments on this release.

Historical Analysis:

This EP represents the growth of both Reversal of Man and Emoviolence in the last few years; having solidified the lineup for this release a year prior on a split with Enemy Soil, they expanded on that sound with faster and harsher conviction. However, the dynamism found here further shaped Emoviolence away from the more chaotic and grindy stuff. However good this is, Emoviolence was on the cusp of breaking out and this EP remains a hidden gem on the shores of the Hall.

Lyrical Analysis:

*Note that because this is an old release in the grand scheme of Screamo history, I cannot locate lyrics for about half of these songs. I’ll be basing my analysis on the available lyrics*

Lyrically, this record has a simple and direct message: they love the scene, but the scene is dying. Titling the album Revolution Summer invokes the very beginning of Emo in 1985, with Punk’s ethos firmly intact. However, 13 years on from Rites of Spring, The Hated and Gray Matter, Punk has started falling into corruption and hypocrisy. Relationships are futile, nostalgia is a lie and the scene has been betrayed by those who embody the opposite of their message. The only salvation we have is to remember our humanity.

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Combatwoundedveteran - What Flavor Is Your Death Squad Leader? | Screamo Hall of FAme Class of 1998 Nominee

Release Information:

1998
Schematics Records
Tampa, FL (Southeast)
Runtime: 7:13
Tracks: 10

Band Members:

Christopher Norris (Vocals)
Davy Bartlett (Guitar, Vocals)
Dan Ponch (Bass, Vocals)
Mark Muenchinger (Drums)

Genres, Influences and Characteristics:

Emoviolence, Grindcore, Frantic, Noisy, Chaotic, Dissonant

Musical Analysis:

With such a brief runtime and several tracks clocking in at under 30 seconds, the band utilizes immediacy to its fullest extent. Plentiful with noisy guitar feedback, blast beats, grotesque screaming from multiple vocalists and extremely heavy metallic guitar tones, the band throws caution to the wind and blends the quickest, most intense three seconds of explosive music with chaotic, formless sections of noise.

Historical Analysis:

With cleaner production than their 1996 EP, this ups the ante that the 11 Song 7” started, featuring some of the most brutal and punishing Emoviolence put to record yet. However, the band was still on the cusp of their biggest year by far with two excellent EPs under their belt.

Lyrical Analysis:

Once again, Combatwoundedveteran’s scathing take on Capitalism, Colonialism and overall Western culture produces genius, sardonic and quick lyrics. With topics like war as entertainment, violence as censorship and rebellion as commodification, you’d be hard-pressed to think the band ever had a positive thought. Still, the band presses on with even more daring subjects like how colonialist logic is self-destructive, how pain and suffering are used for profit, the choices we have in Captialism are illusory. These are among the most biting sociopolitical lyrics in the history of the genre to this point.

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