Hello, everyone! Welcome to the hub for my Deep Dive project Establishing Screamo Canon: From Chaos to Catharsis! 2025 was the Year of Screamo and, while I didn’t quite get to my goal of covering Screamo from the 90s through 2015, getting through the 90s wound up being a Herculean feat in and of itself. I’m quite proud of this accomplishment! The series will continue indefinitely as I have time for it, but getting it up onto the website was very important. Please refer to the Overview post for more information about the series and the various sub-series within.
Below you can sort by subseries or via a tag cloud, weighing the most commonly-used tags such as artists, release years, record labels, locations, genres and even descriptors! Please keep an eye on this as the series continues!
- Emoviolence
- 1999
- 1998
- Dynamic
- Dissonant
- Frantic
- Noisy
- Chaotic
- Melodic
- Florida
- 1997
- Massachusetts
- Post-Hardcore
- Grindcore
- Energetic
- Hardcore Punk
- Complex
- Orchid
- Raw
- Midwest Emo
- SoCal
- Emocore
- Manic
- Witching Hour Records
- Aggressive
- Metallic
- Technical
- Virginia
- Atmospheric
- Metalcore
- Ebullition Records
- Reversal of Man
- Frenetic
- Combatwoundedveteran
- Math Rock
- Independent
- Indiana
- Dense
- Jeromes Dream
- D.C.
- Canada
- Connecticut
- Gravity Records
- Saetia
- Sass
- Post-Rock
- Three One G Records
- Japan
- Encyclopedia of American Traitors
- Stack
- Pennsylvania
- Dark
- Usurp Synapse
- Schematics Records
- ForceFedGlass
- New York
- Intense
- New Jersey
- Noise Rock
- Powerviolence
- Summersault Records
The Swarm / ForceFedGlass - The Self-Destruct EP | Connective Tissue 1999
The Swarm
(Burlington, ON, Canada)
Chris Colohan (Vocals)
Adam Bratt (Guitar)
Christian McMaster (Guitar)
Lou Oliveras (Bass)
Mike Maxymuik (Drums)
ForceFedGlass
(Richmond, VA)
Pat Masteron (Vocals)
Evan Plante (Guitar)
Justin Conlon (Bass)
Ben Koller (Drums)
Basic Info:
Release Date: 1999
Label: The Electric Human Project
Runtime: 6:29
-The Swarm: 3:30
-ForceFedGlass: 2:59
Tracks: 6
-The Swarm: 4
-ForceFedGlass: 2
At a Glance:
Metalcore, Emoviolence, Hardcore Punk, Energetic, Frantic, Punky, Technical
Points on the Timeline:
Both bands formed in the late 90s, releasing the bulk of their discographies before the turn of the century. By 2000, both artists will disband.
Shapes in the Sound:
The Swarm, tangentially related to the Screamo scene by way of guitarist Kyle Bishop, who does vocal duties for fellow Ontarians Grade, plays fairly straightforward Metalcore on here with a few traditional Punk leanings. Somewhat melodic, somewhat driving and brimming with energy and passion, their four tracks breeze through. ForceFedGlass’ two tracks are far more complex, noisier and more dynamic, playing their signature brand of blistering, technical Emoviolence with heavy, slow sections spacing out the chaos.
Threads in the Tapestry:
Although both artists would fizzle out soon after this split was released, it nonetheless catalogs these two distinct Hardcore artists from 550 miles apart at the end of their short-lived musical careers. While neither would be groundbreaking in their genre, they both remain underrated aspects of genres that would leave them behind.
His Hero Is Gone / Uranus - Split E.P. | Connective Tissue 1997
His Hero Is Gone
(Memphis, TN)
Todd Burdette (Guitar, Vocals)
Pat Davis (Guitar)
Carl Auge (Bass, Vocals)
Paul Burdette (Drums)
Uranus
(Ottawa, Ontario, Canada)
Geoff Cousens (Vocals)
Yannick Lorraine (Guitar)
Karl (Guitar)
Matt Bruce (Drums)
Basic Info:
Release Date: 1997
Label: The Great American Steak Religion
Runtime: 23:59-His Hero Is Gone: 9:05
-Uranus: 14:54
Tracks: 11
-His Hero Is Gone: 6
-Uranus: 5
Genres, Influences and Characteristics:
Crust Punk, Screamo, Dark, Aggressive, Dissonant
Points on the Timeline:
After a couple of years as a band producing a demo and an EP, 1997 was a breakout year for Crust Punk legends His Hero Is Gone. Not only did they come out with this split, they released their two landmark LPs in the same year. This would be their hottest year as they’d be broken up before the end of the century. Their contributions on this split would be released under a solo EP called Fool’s Gold a year later. Meanwhile, Uranus was still establishing themselves by ‘97, having only released a demo and a split a few years prior. This would be their last release before their seminal Disaster by Design EP would come out in a year’s time.
Shapes in the Sound:
Although His Hero Is Gone is not a Screamo band by any means, they did release this split with Crust-influenced Screamo band Uranus. The band exemplifies the tropes of the genre to a tee with metallic, down-tuned guitar riffs, pounding D-Beat style drums and a gnarly, gutteral screaming voice. Songs rarely last over one minute and keep a high intensity throughout. Uranus takes many of Crust Punk’s elements, exhibited beautifully by their splitmates, and applies longer song forms, higher-register screaming and more melody.
Threads in the Tapestry:
Although neither side of the split would be considered the bands’ best works, it showcases what Crust Punk is all about and how naturally it can fit into the Screamo formula. These two were on the same side of the continent, but almost 2,000 miles apart. It seems like the spirit of this underappreciated Punk subgenre could not be contained by mere borders.