Hello, everyone! Welcome to the hub for my Deep Dive project Establishing Screamo Canon: From Chaos to Catharsis! 2025 was the Year of Screamo and, while I didn’t quite get to my goal of covering Screamo from the 90s through 2015, getting through the 90s wound up being a Herculean feat in and of itself. I’m quite proud of this accomplishment! The series will continue indefinitely as I have time for it, but getting it up onto the website was very important. Please refer to the Overview post for more information about the series and the various sub-series within.
Below you can sort by subseries or via a tag cloud, weighing the most commonly-used tags such as artists, release years, record labels, locations, genres and even descriptors! Please keep an eye on this as the series continues!
- Emoviolence
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- Massachusetts
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Orchid / Encyclopedia of American Traitors | Connective Tissue 1998
Orchid
(Amherst, MA)
Jayson Green (Vocals)
Will Killingsworth (Guitar)
Brad Wallace (Bass)
Jeff Salane (Drums)
Encyclopedia of American Traitors
(Millersville, PA)
Andrew Martin
Keith Miller
Ryan Suffort
Steve " Yuletide" Sakasitz
Zachary Martin
Basic Info:
Release Date: 1998
Label: Witching Hour Records
Runtime: 9:36
-Orchid: 4:37
-Encyclopedia of American Traitors: 4:59
Tracks: 5
-Orchid: 3
-Encyclopedia of American Traitors: 2
At a Glance:
Screamo, Emoviolence, Frenetic, Dark, Metallic
Points on the Timeline:
Orchid was still only a year or so into their time as a band, still finding their signature sound. This Split actually includes a song from their 1997 demo as well as two originals, showcasing a somewhat metallic-sounding Orchid with slightly less chaos. EOAT would release another split this year before coming out with a second EP in 1999 and a comp in 2002.
Shapes in the Sound:
Orchid’s signature chaotic, noisy guitarwork is present here in their early material, switching between sinister melodic lead lines and heavy chord progressions. The singer’s hoarse screams leave an unmistakable impact on the songs, though besides these two elements, this is pretty standard manic Screamo fare. EOAT’s production values are a fair bit lower than their counterparts, but the insanity is more prominent in their songs than Orchid’s side. The lead singer sounds like his head is going to explode from belching out those crazy screams. The heavy chugging makes its way to their side too, though their songs have less emphasis on short, violent bursts and are a bit more fully-formed.
Threads in the Tapestry:
EOAT would live in Screamo obscurity, propped up primarily by their split with future-legends in Orchid. However, you can feel their fingerprints across the dissonant and wily Tri-State Screamo scene. Meanwhile, Orchid was a mere year away from taking the Hardcore community by storm with their first legendary album. Although you could preview their quality in these early releases, nothing could have prepared the scene for their upcoming level of Screamo mastery.
Orchid / Pig Destoryer | Connective Tissue 1998
Orchid
(Amherst, MA)
Jayson Green (Vocals)
Will Killingsworth (Guitar)
Brad Wallace (Bass)
Jeff Salane (Drums)
Pig Destroyer
(Washington, D.C.)
J.R. Hayes (Vocals)
Scott Hull (Guitar)
John Evans (Drums)
Basic Info:
Release Date: 1998
Label: Amendment Records
Runtime: 10:13
-Orchid: 5:29
-Pig Destroyer: 4:44
Tracks:
-Orchid: 3
-Pig Destroyer: 8
At a Glance:
Grindcore, Emoviolence, Screamo, Frantic, Metallic
Points on the Timeline:
Both of these bands started life in 1997; all three of Orchid’s songs come from their previous We Hate You demo, while Pig Destroyer threw in three songs from their own 1997 demo and a few originals. Both sides showcase young Hardcore bands poised to become defining figures in their respective genres.
Shapes in the Sound:
Orchid’s contribution features a more metallic-leaning sound than you’d expect, with the chugs you’d hope for and a gritty guitar tone that dominates the songs. Let’s not take away from the admirable drumming performance that keeps up with the guitar’s madness and a brutal vocalist whose every lyric is torture to the ears. Meanwhile, Pig Destroyer put out rapid-fire Grindcore tracks with the faintest of Sludge sensibilities. Their anger and appetite for destruction was quite high on this. Expect rapid-fire blastbeats and piercing shrieking vocals.
Threads in the Tapestry:
Although not the best representation of either band, these early works showcase the potential that these Hardcore pioneers possessed. While Orchid would drop much of the Metal influence from their legendary works, these songs were structurally similar to what they’d go on to create. Similarly, though they would change the influences on subsequent records, they kept the Grindcore grinding through and through.
This release doesn’t get the recognition it deserves for having two legends in their early incarnations showing off the future of Hardcore music, but it’s at the very least an important footnote in the history of the scenes.
Orchid - Orchid | Screamo HAll of FAme Class of 1998 Nominee
Release Information:
1998
Hand Held Apart Records
Amherst, MA (New England)
Runtime: 10:01
Tracks: 5
Band Members:
Jayson Green (Vocals)
Will Killingsworth (Guitar)
Brad Wallace (Bass)
Jeff Salane (Drums)
Genres, Influences and Characteristics:
Screamo, Emoviolence, Metallic, Chaotic
Musical Analysis:
It’s Orchid! Suffocating guitar, powerful screamed vocals and dynamic switches from brutal, mid-tempo Screamo to all-out Emoviolence are all present and accounted for on this EP. The guitar tone is heavy and occasionally breaks out into some metallic chugging. The beginnings of their signature chaotic style were starting to form, but with slower builds, metallic elements and slightly less violence than you’d expect.
Historical Analysis:
One year removed from a somewhat mediocre debut demo, Orchid honed in on the sounds they’d soon become infamous for. Diehard fans of the band love this EP, and Stagnant, in particular, seems to be a bona fide Orchid classic. However, the band was moments away from being the most celebrated artists in the entire genre, and this release would be left in the dust (and out of the Hall).
Lyrical Analysis:
Confrontational wouldn’t begin to describe Orchid’s lyrical style, represented here by songs about failing relationships, the lie of capitalism and the insincerity of the Punk scene in the late 90s. In particular, Jayson’s grave disdain with the scene politics would lead to many, many manifestos of frustration, with two on this five-song EP! This biting critique is accompanied by social issues - such as scripted rebellion - and personal issues.