Hello, everyone! Welcome to the hub for my Deep Dive project Establishing Screamo Canon: From Chaos to Catharsis! 2025 was the Year of Screamo and, while I didn’t quite get to my goal of covering Screamo from the 90s through 2015, getting through the 90s wound up being a Herculean feat in and of itself. I’m quite proud of this accomplishment! The series will continue indefinitely as I have time for it, but getting it up onto the website was very important. Please refer to the Overview post for more information about the series and the various sub-series within.

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The Shape of Screamo to Come Emo Emporium The Shape of Screamo to Come Emo Emporium

Ivich - La mort heureuse | The Shape of Screamo to Come

Release Information:

1994
Pikaϊa Records
Saint Maurice, Île-de-France, France
Runtime: 28:00
Tracks: 9

Band Members:

Eric (Vocals)
Yann Maisonneuve (Guitar)
Cedric (Bass)
Yves Maisonneuve (Drums)
Thierry (Trumpet)

Genres, Influences and Characteristics:

Screamo, Hardcore Punk, Lofi, Chaotic, Melodic, Offbeat

Musical Analysis:

As evidenced by the truly ludicrous drumming, Hardcore is the guide with which Ivich brought forth Screamo; blistering beats and thunderous fills characterize the vast majority of the drumming on here, though the guitars often drop the typical Punkish chord progressions in favor of more melody, dissonance and/or ambiance. The discord manifested by these insane elements is further intensified with offbeat trumpeting and rapid-fire vocal delivery, dropping the listener into a warzone of racket.

Historical Analysis:

Ivich debuted in 1992 with Sculpteur de cris, a weird and expressive Hardcore album with primitive Screamo inklings all masked by truly horrid production. Their 1993 EP featured the French Screamo pioneers pushing European Hardcore to its brink. Their sophomore full-length goes further as a hidden gem spearheading France's burgeoning Screamo scene. Pretty much every French Screamo band ever owes Ivich a huge debt of gratitude for basically inventing the genre out in Europe.

Lyrical Analysis:

*Note that because this is an old, DIY and relatively minor release in the grand scheme of Emo and Punk history, I cannot locate lyrics for any of these songs. If more lyrics can be dug out, I will reevaluate the lyrical analysis. Please note any lyrical analysis on my end will lack cultural nuance and accuracy in the translation.*

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